Thursday, March 14, 2013

Cover Factor of Fibre, Yarn and Fabric

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CONCEPT OF SIMILAR CLOTH
Fibre or raw materials of the two cloths may be same but they can differ on other factors, such as:-
i) The yarn count may be different.
ii) The ratio of yarn count in warp and weft may differ.
iii) The warp ratio of yarn spacing may differ.
iv) The average of yarn spacing may differ.
v) The weave design may differ.
vi) The amount of twist in yarn may differ.

If there is similarity in COVER FACTOR of two cloths but they differ in such points as mentioned above then they are called similar cloth.

COVER FACTOR
Cover is the degree of evenness of thread spacing. Good cover gives the effect of a uniform plane surface & it can not be obtained with hard twisted yarn. In case of woven fabric cover factor is a number that indicates the extent to which the area of a fabric is covered by warp and weft threads. For any fabric by introducing suitable numerical constants its evaluation can be made in accordance with any system of counting. It is denoted by k.

Mathematically,

        k = d / p;
where, d1 = Warp dia; d2 = Weft dia; P1 = Warp spacing; P2 = Weft spacing; k1 = Warp cover factor, and k 2 = Weft cover factor.
     
So, k1 = d1/P1    &    k2 = d2/P2
Therefore, Fabric Cover Factor =  k1 + k2.
The ratio of yarn diameter to yarn spacing, d/p, is a measure of the relative closeness of the yarns in the warp or weft of a woven fabric. This ratio also expresses the fraction of the area of the cloth covered by the warp or weft yarns. We may therefore call it the fractional cover,  i.e.
                      Fractional cover = d / p.
Substituting Peirce’s estimate of yarn diameter, d = 1/28 √N, we have 
d / p= [1/(28√N) x1/p]
 But 1/p = n, where n = threads/in., so
 d / p= n/(28√N) ……………………………… (6)
Now d/p has a value of 1.0 when the yarns are just touching. Peirce multiplied eq.(6) by 28 to eliminate the numerical constant, 28, and defined the result as the ‘coverfactor’, K.

Cover Factor, K  = n /  √N  ……………………………………………..(7)
Because we have multiplied by 28, cover factor as defined in eq.(7) has a value of 28 when the yarns are just touching. The relative yarn spacing corresponding to various cover factors are shown below:

It is usual to calculate separate cover factors for the warp and the weft. Using the suffices 1 and 2 for warp and weft, we have

      Warp Cover Factor, K1 = n1 / √N1 and

      Weft Cover Factor, K2 = n2 / √N2.

The sum of the warp and weft cover factors is known as cloth cover factor, Kc.  It is customary and more informative, however, to state the warp and weft cover factors separately. Just as twist factor enables us to compare the relative hardness of twist in yarns of different counts, so cover factor enables us to compare the relative closeness of the yarns in different fabrics.

Math related to cover factor
Compare the relative closeness of the warp yarns in the following two plain cloths; (a) 16s cotton; 50 ends/in; and (b) 36s cotton; 84 ends/in.

We have the cover factor for cloth (a), K1 = 50 / √16   = 12.5.

And for cloth (b) cover factor, K2 = 84 / √36   = 14.0

So the ends are more closely spaced in cloth (b) than in cloth (a)

MATH:- Calculate the warp and weft cover factors for the following fabric: 60 denier nylon x 48s worsted; 96 x 72.

      60 denier = 5315/60 = 88.57s cotton count.
So, K1 = 96 / √88.57   = 10.2
       40s worsted = 48 x 560/840 = 32s cotton count.
So, K2 = 72 / √32   = 12.7

GENERAL FORMULA FOR CALCULATING COVER FACTORS
   Indirect systems                                              direct systems.

      K = cn/ √N                                                    K = cn √N

Where N is the yarn number in the particular system.


System                Value of c                          System          Value of c

Cotton                     1.0                                     Denier        0.01375
Worsted                  1.228                                 Tex             0.04126
Linen lea                 1.667                                 lb/spdl        0.2422

MATH: Calculate the cover factor corresponding to 80 threads/in. of 100 denier. 
From the table constant for the denier system is  0.01375.

Therefore, K  = 0.01375 x 80 x √100  = 11.0

MATH: How many threads/in. of 5 tex nylon are required to give the same cover factor as 90 threads/in. of 2/100s cotton?

Since the equivalent singles count of 2 /100s is √50 s.

Therefore,

                            K  = 90/ √50.

So, K = 12.7  = 0.04126 x n √5
 Therefore  the number of threads required

n=12.7/0.04126 x √5 = 138 threads / in.         

Thus required thread/in is 138 of 5 tex to give the same cover factor as 90 threads/in. of 2/100s cotton.
This problem can also be solved with reference to the formula for calculating cover factor.

     5 tex  = 590.5 / 5  = √118 s cotton count.
As before, K  = 12.7  = n/ √118.

Therefore n = 12.7 x   118   = 138 as before.

Wish You Good Luck..................................
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Friday, March 1, 2013

SEWING THREAD

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Sewing threads have to make with the properties by which it can be possible to sewn garments smoothly. It has to be designed for smooth & efficient stitching. It should contain the properties for these it will not break in the time of sewing & after complete the sewing as well as up to buyer use. The composition & the construction have to manufacture as required for the efficient smooth stitching to the proper selection of fabric, based on the seam type.


CONSTRUCTION OF THREAD

Sewing threads are made of cotton, linen, silk, rayon, or polyester or blends thereof. The properties of the fiber determine its use and application. For example, cotton is the most widely used because of its high versatility and low cost; rayon, which is much weaker, is used primarily for fancy stitch work; polyester is used where strength and water repellency are more important. 

All sewing threads are made of ply yarns. The single yarns, which may be spun, filament, or multi-component are highly twisted (plied) to form a firmer and more uniform thread than ordinary yarn. Sewing thread may be given special finishes, such as mercerizing, glace or water repellency or swelling to serve particular uses. 


THREAD SIZES

The size of spun thread had been expressed in terms of its diameter: the higher the number the finer the thread. At one time, thread had been made only from three-ply spun yarns. Therefore, a spun yarn thread of 50 three ply (50/3) had a ticket number of 50, a thread of 60 three ply (60/3) had a ticket number of 60, and so forth.. Subsequently, the number of plies in sewing thread was extended to, two, three, four and six ply. A ticket number of 50 could therefore indicate a 50 two ply (50/2), a 50 three ply (50/3), a 50 four ply (50/4), or a 50 six ply (50/6); but the thickness of the thread in each case was the same, while each ply was thinner. The greater number of ply yarns implied greater thread strength. The size of mercerized cotton sewing thread were identified by letter as well as number. The range was found from F (coarsest) to A (medium) and then from 0 to 00000 (finest). 

Identification of thread size, called ticket number, is undergoing a transition. Different kinds of yarns had different numbering designations. The Thread Institute adopted a standardized ticket numbering system based on the tex system of numbering yarn. 

The tex system is intended to give an orderliness by providing one ticket numbering system based upon metric system which is now universally accepted. Since tex is the weight in grams of a 1000-meter length and is a direct numbering system, the greater the weight the thicker the thread and therefore higher the number. Ticket numbers are based on actual tex size of the thread in the griege state, i.e. twisted, braided, or extruded before any dyeing, special processing, or finishing. The purpose of the stipulation is intended to obviate the alteration of the thread’s apparent size by any finish. 


STANDARD SEWING THREAD TEX TICKET NUMBER

1          10            35           105           300
2           12           40           120           350
3           14            45           135            380
4           16           50           150           400
5           18           60           180           450
6           21            70           210           500
7           24           80           240           Above 500, in
8           27            90           270          increment of 100
9           30

One important caution should be noted when using the tex ticket numbers. When selecting proper thread size, threads of the same fiber and type must be compared. Since the tex ticket numbering system is based on weight and since different kinds of fibers and/or types have different weights and moisture, the same tex number of threads of different fibers or types will not necessarily be of the same thickness and may therefore not be interchangeable. 


THREAD SELECTION

Selection of the appropriate kind and size of sewing thread is important. The thread should be as fine as possible, consistent with the nature of the fabric and the strength requirements of the stitching. Finer threads could be less obvious, they become hidden below the surface of the cloth, and they are less subject to abrasion than heavier threads. Also, finer threads require finer needles which cause less fabric distortion than heavier needles. Threads composed of the same kind of fibre as that of the fabric is also important because of such factors as general appearance, color fastness, finish retention, elasticity and strength. 
Wish You Good Luck..................................
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Thursday, January 17, 2013

Nonwoven Fabrics | Introduction and manufacturing process of nonwoven geotextile fabrics

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Nonwoven Fabrics 
Techniques by which fabrics are made directly from fibers, bypassing both spinning and weaving, have been used for centuries in the production of felt and bark cloth is called nonwoven fabric. It is also called nonwoven geotextile fabric because it is one kinds of geotextile. With the development of manufactured fibers, and, in particular, the synthesis of thermoplastic fibers, technologies have evolved that have made possible the large-scale production of non-woven fabrics. The first non-woven consumer product, an interlining fabric for the apparel industry, was introduced in 1952. Marketed extensively for both durable and disposable items, nonwoven fiber webs range from disposable diapers to blankets, from industrial filters to tea-bag covers. 

Nonwoven fabrics are textile structures “produced by bonding or interlocking of fibers, or both, accomplished by mechanical, chemical, thermal or solvent means and combinations thereof” (ASTM 1998). This excludes fabrics that have been woven, knitted, or tufted. The Association of the Nonwovens Fabrics Industry (lNDA) in the United States and the European Disposables and Nonwovens Association (EDANA) help to further define what may be called a nonwoven fabric Oirsak and Wadsworth 1999). Over 50 percent of the weight of a non woven must be comprised of fibers with an aspect ratio (length to diameter ratio) of 300. This excludes paper products that are normally made of extremely short fibers. In additi”on nonwovens must have a density less than 0.4 grams per cubic centimeter, and felted fabrics are usually much heavier. 

American Fabrics (1974) magazine recommended that nonwoven fabrics be classified as durable products or disposable products. They defined a durable product as “one which is multi-use. It is not manufactured to be thrown away after a single application” (p. 40). Examples of this type of product are blankets, carpet backings, and furniture padding. Disposable products were defined as “made to be disposed of after a single or limited number of uses”. These are exemplified in disposable diapers, towels, or tea-bag covers. American Fabrics pointed out that some items are disposable not because of their durability but because of their purpose. Medical gowns, for example, or airplane and train headrests, might withstand multiple use, but for sanitary reasons they have limited use periods. 

Manufacture of nonwoven fabric
There are two steps involved in manufacturing nonwoven fabrics: 
(1) preparation of the fiber web and 
(2) bonding of the fibers in the web. 
A number of possibilities exist for each step, and in addition, the two stages may be distinct or can be carried out as a more or less continuous process. 

Fiber Web Formation Staple fiber webs are produced by either dry firming or wet firming. Dry-forming processes are carding, also called dry laying, and air laying. Carded webs are made in a manner similar to the process for felt webs and slivers for yarn spinning. Thicker webs can be built up by layering the carded webs. In air laying, the fibers are opened, suspended by air, and then collected on a moving screen. The wet laid process is similar to paper making in that a mixture of fibers in water is collected on a screen, drained, and then dried. 

Webs can also be made by the direct extrusion processes of spunbonding and melt blowing. Spunbonded fabrics are manufactured from synthetic filament fibers. Continuous filaments are formed by extrusion through spinnerets, and the filaments are blown onto a moving belt where they form a web. As the still hot and partially molten filaments touch, they bond. Polymers most often used are polypropylene and polyester. Spun bonded fabrics are strong because of the filament fibers and are not easily torn. They are used for a wide variety of products ranging from apparel interlinings, carpet backing, furniture and bedding to bagging and packing material. Spunbonded fabrics may be used in geotextiles to control erosion or in constructing roads. 

Some spun bonds made from olefins are used as a tough, especially durable substitute for paper in wall coverings, charts, maps, tags, and the like. Melt blowing also forms fabrics directly from fibers, but it differs from spun bonding in that molten fiber filaments are attenuated and broken into short lengths as they exit from the spinnerets. Cool air distributes the fibers onto a moving screen. 

As the fibers cool they bond, forming a white, opaque web of fine fibers. Because the fibers in melt-blown nonwovens are fine, the fabrics make good filter materials. Specialty products can also be made by layering spun bonded and melt blown fabrics or by entrapping absorbent fibers or other materials within the melt blown structure.
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